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Frage:
schulgerecht  
von nitram (GB), 2008-09-03, 21:03  like dislike  Spam?  
Das Auffinden des Urphaenomens ist auch das Anliegen, des wissenschaftlichen Hauptwerks, der Farbenlehre (1790-1810), die den Gegensatz zur schulgerechten Optik scharf hervortreten laeßt (Polemik gegen Newton)

Thanks for any help.
Antwort: 
? optics as it was taught?  #358497
von esmeralda, 2008-09-03, 21:05  like dislike  Spam?  89.100.93...
Antwort: 
der Ausbildung gemäß  #358498
von -Rob- (DE), Last modified: 2008-09-03, 21:07  like dislike  Spam?  
schulgerecht   =   wie einem etwas in Schule/Ausbildung/Studium beigebracht wird

http://wissen.de/wde/generator/wissen/ressorts/bildung/woerterbuech...
Antwort: 
schulgerecht > appropriate/suitable for school  #358509
anonymous, 2008-09-03, 21:27  like dislike  Spam?  84.159.250...
Antwort: 
This is about Goethe, isn't it?  #358528
von ddr, 2008-09-03, 22:45  like dislike  Spam?  62.178.117...
I believe, something like 'academic' or ''orthodox' would be more appropriate here
school=university
Maybe you'll find some appropriate expression in this (Wikipedia):
In 1810, Goethe published his Theory of Colours, which he considered his most important work. In it, he (contentiously) characterized colour as arising from the dynamic interplay of darkness and light. After being translated into English by Charles Eastlake in 1840, this theory became widely adopted by the art world, most notably J. M. W. Turner (Bockemuhl, 1991[13]). It also inspired the philosopher Ludwig Wittgenstein, to write his Remarks on Colour. Goethe was vehemently opposed to Newton's analytic treatment of colour, engaging instead in compiling a comprehensive description of a wide variety of colour phenomena. Although Goethe cannot necessarily be criticized for the accuracy and extent of his observations, scientists in general have found little use for his theory because not much can be predicted by means of it. Goethe was, however, the first to systematically study the physiological effects of colour, and his observations on the effect of opposed colors led him to a symmetric arrangement of his colour wheel, 'for the colours diametrically opposed to each other… are those which reciprocally evoke each other in the eye. (Goethe, Theory of Colours, 1810[14]). In this, he anticipated Ewald Hering's opponent color theory (1872).[15]

Goethe outlines his method in the essay, The experiment as mediator between subject and object (1772). In the Kurschner edition of Goethe's works, the science editor, Rudolf Steiner, presents Goethe's approach to science as phenomenological. Steiner elaborated on this in the books The Theory of Knowledge Implicit in Goethe's World-Conception[16] and Goethe's World View,[17] in which he emphasizes the need of the perceiving organ of intuition in order to grasp Goethe's biological archetype (i.e. The Typus).

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